domingo, 7 de fevereiro de 2010

Giuseppe di Stefano "La donna e mobile" from Rigoletto (Verdi)

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Onegin65
12 de Janeiro de 2007
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La donna è mobile

From Wikipedia, the free encyclopedia

For the 1942 Italian film (La donna è mobile), see The Lady Is Fickle.

"La donna è mobile" ("Woman is fickle") is the cynical Duke of Mantua's canzone from Giuseppe Verdi's opera Rigoletto (1851). The inherent irony, of course, is that it is the callous playboy Duke himself who is mobile ("inconstant"). Its reprise in the last act is chilling, as Rigoletto realizes from the sound of the Duke's lively voice coming from within the tavern (offstage), that the body in the sack over which he has grimly triumphed is not that of the Duke after all: Rigoletto had paid Sparafucile, an assassin, to kill the Duke but Sparafucile deceived him by killing Gilda, Rigoletto's beloved daughter, instead.

José Carreras, aged 8, in his first public performance, singing La donna è Mobile on Spanish National Radio (December 1954).

The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. It has been recorded by Enrico Caruso, Mario Lanza, Plácido Domingo, Luciano Pavarotti, Juan Diego Flórez, Jussi Björling, Vitas and hundreds of others. Before this song's first public performance (in Venice), it was rehearsed under tight secrecy: a necessary precaution, because it proved to be catchy and soon after its first public performance every gondolier in Venice was singing it.

The music

La donna è mobile

Enrico Caruso sings La donna è mobile (1908)

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The almost comical-sounding theme of La donna è mobile is introduced immediately, and runs as illustrated (transposed from the original key of B major). The theme is repeated several times in the approximately two minutes it takes to perform the aria, but with the important—and obvious—omission of the last bar. This has the effect of driving the music forward as it creates the impression of being incomplete and unresolved, which it is, having left off not on the tonic or dominant but on the submediant. Once the Duke has finished singing, however, the theme is once again repeated; but this time including the last, and conclusive, bar and finally resolving to the tonic. The song is strophic in form with an orchestral ritornello.

Libretto

Original Italian	English translation	Alternative (and possibly more correct) translation
La donna è mobile Qual piuma al vento, Muta d'accento — e di pensiero. Sempre un amabile, Leggiadro viso, In pianto o in riso, — è menzognero. Refrain La donna è mobil qual piuma al vento Muta d'accento e di pensier! e di pensier! e di pensier! È sempre misero Chi a lei s'affida, Chi le confida — mal cauto il core! Pur mai non sentesi Felice appieno Chi su quel seno — non liba amore! Refrain La donna è mobil qual piuma al vento, Muta d'accento e di pensier! e di pensier! e di pensier!	This woman is flighty Like a feather in the wind, She changes her voice — and her mind. Always sweet, Pretty face, In tears or in laughter, — she is always lying. Refrain The woman is flighty Like a feather in the wind, She changes the tone of her voice and her thoughts, And her thoughts! And her thoughts! Always miserable Is he who trusts her, He who confides in her — his unwary heart! Yet one never feels Fully happy Who on that bosom — does not drink love! Refrain Woman is flighty Like a feather in the wind, She changes the tone of her voice and her thoughts, And her thoughts! And her thoughts!	Women are fickle (or erratic/flighty) Like a feather in the wind, They change in tone - and in thought. (You can't tell what she's really saying or thinking) Always a loveable, Graceful visage, (or beautiful face) That in tears or in laughter - is lying. Refrain Women are fickle, Like a feather in the wind, They change in tone, and in thought, and in thought! and in thought! Always miserable, (or wretched) Is he who trusts her, He who confides in her - incautious (reckless) his heart! Yet one never feels Fully happy, Who on that bosom/breast, - does not sip/taste love? Refrain Women are fickle, Like a feather in the wind, They change in tone, and in thought, and in thought! and in thought!

In popular culture

The canzone is sung to unsettling effect by the character Richard Benning in Ambrose Bierce's 1893 short story An Adventure at Brownville, including after the suicide of one of Benning's wards.
In the 2000 film The Family Man, Jack Campbell (Nicolas Cage) gets dressed and heads out to work while singing this song.
In an episode of M*A*S*H, B.J. Hunnicutt sings his version of the song while in the shower.
In the 2004 movie The Punisher, a fight scene between Thomas Jane (the Punisher) and Kevin Nash("The Russian") occurs while the song plays and his apartment neighbors sing and dance to the song.
The first verse of the song is featured in Rugrats in Paris: The Movie.
In the South Park episode "Quintuplets 2000", Kenny sings the canzone while making money for his singing training in Europe.
In the Star Trek: Voyager episode "Tinker, Tenor, Doctor, Spy", the holographic doctor sings the first verse while daydreaming that he is in recital for the crew. He "improvises" humorous lyrics to the canzone to trick Tuvok, who is experiencing pon farr, into receiving a medicinal sedative.
In Chekhov's 'Three Sisters' Doctor Chebutykin sings snippets throughout.
In the video game Grand Theft Auto III this song can be heard on the Double Clef FM radio station.
In the Futurama episode "The 30% Iron Chef", Elzar makes a working pastry replica of downtown Venice. In the model a shrimp rows a gondola down a canal while singing the song.
In the The Simpsons episode The Last of the Red Hat Mamas Lisa sings the song with new lyrics.
In an episode of Aaahh!!! Real Monsters, Zimbo and the Snorch torture Ickis, Krumm and Oblina by singing this song during the closing credits.
In the 1999 film My Favorite Martian Martin the Martian sings the song while in a hot tub.
West Ham United F.C.: one of the supporters' songs praising striker Paulo di Canio was set to the song's tune.
Aston Villa F.C.: one of the supporters' songs praising Villa striker Gabriel Agbonlahor is set to the song's tune.
Heart of Midlothian F.C.: one of the supporters' songs praising owner Vladimir Romanov is set to the song's tune.
The Hall Song of Chancellor Hall, University of the West Indies, Mona Campus in Jamaica, is set to the song's tune.
In an episode of "Figure it Out — Family Style" (1998–1999), a contestant with the secret "Self Taught Opera Soloist," sings the song as his featured song upon the panel figuring his secret out, while his father helped him out.
In "Queer as Folk", Season 3, Ted gets a job as a singing waiter and is embarrassed when his friends show up at the restaurant as he is singing this song.
In an episode of Dark Angel, a tall prisoner sings this song in the yard to distract the guards while Max escapes.
In the film Hannibal Brooks, Oliver Reed (Brooks) distracts German soldiers by drunkenly singing 'Der Schnapps ist gut, mein Herr' to this melody, in order to make his escape.
In the film My Mom's New Boyfriend, the Italian Chef Enrico sings the song while drunkenly serenading Meg Ryan's character near the end of the movie. Ryan's kidnappers comment on his good singing.
"The Maestro" is an episode of the NBC sitcom Seinfeld (aired 6 October 1995; episode 113, third episode of season #7). Elaine sings this canzone as she drives away with "the Maestro".
In the "Elmo's World" segment of an episode of Sesame Street, Elmo, dressed as a horse, is onstage. He starts singing La donna è mobile, but his voice is raspy, and when he stops, he gives the pun "I'm a little hoarse (horse)."
In a Weekend Update sketch on Saturday Night Live, Opera Man (played by Adam Sandler) sang the song as a parody of a woman in the news.
At the start of the first episode of the Doctor Who story "Doctor Who and the Silurians," the Doctor (Jon Pertwee) attempts to sing the aria while performing repairs on his new antique car Bessie, but can only sing the first line and hums the rest.
In the 2009 video game Little King's Story, an edited version of the song plays while in the area named "The Ripe Kingdom" before that kingdom is conquered.
In the television series "I Dream of Jeannie", in the episode "My Master, The Great Caruso" (1966) Major Randall sings the song several times, each time in a different Jeannie-modified voice.
In a story from My Friends Tigger & Pooh titled "Symphony for a Rabbit," Rabbit performs an ode to vegetables set to this tune.