Aprender, Aprender Sempre ! (Lenine) ..... Olá, Diga Bom Dia com Alegria, Boa Tarde, sem Alarde, Boa Noite, sem Açoite ! E Viva a Vida, com Alegria e Fantasia (Victor Nogueira) ..... Nada do que é humano me é estranho (Terêncio)
Depois de um sábado triste, cinzento e para esquecer, apesar de me parecer que estamos cada vez mais distantes um do outro, uma peça musical suave e levemente melancólica, numa madrugada dum domingo que será igual aos dias da semana que terminou
gontijoengenharia| 15 de Julho de 2009 |4 utilizadores que gostaram deste vídeo, 0 utilizadores que não gostaram deste vídeo
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Jorge Bolet (1914 - 1990), pianista, maestro e professor cubano, nacionalizado americano, é famoso por seu grande acervo de gravações de músicas românticas, especialmente as de Franz Liszt, e as Frederic Chopin.
Neste vídeo assistimos sua suave e perfeita performance na interpretação da Balada nº 1 em Sol Menor Op. 23, de Chopin.
*Mais vídeo de arte em http://www.gontijoengenharia.com.br
LeoMOV| 18 de Janeiro de 2009 |2 utilizadores que gostaram deste vídeo, 0 utilizadores que não gostaram deste vídeo
Obra musical inserta no disco homónimo de Luis Cília datado de 1973. É uma composição feita à memória de Amílcar Cabral, assassinado nesse mesmo ano. Para saber mais sobre Luís Cília, e sua obra consultar www.luiscilia.com.
Topic impossible to circumvent of the B.O. " the TIME OF GITANS " arrangements of GORAN BREGOVIC are small rare pearls TALIJANSKA is a traditional Italian, but the heart of the BALKANS is inside. Usually played on accordion piano touches. here these is the SALTARELLE which gives a small particular colouring partition PDF:
Pod niebem Paryza", akordeon solo Miroslaw Marks.
"Sous Le Ciel De Paris" valse musette (Hubert Giraud/Jean Drejac 1950), Miroslaw Marks, accordéon.´"Under Paris skies" musette waltz, (Hubert Giraud/Jean Drejac), performed by Miroslaw Marks, accordion solo. "Sous le ciel de Paris" Musette Walzer (Giraud/ Drejac, 1950), gespielt von Miroslaw Marks, Akkordeon Solo.
Antonio Vivaldi
Chamber concerto for recorder, two violins and basso continuo in A minor (RV 108)
I. Allegro
II. Grave
III. Allegro
Dorothee Oberlinger (recorder)
Giorgio Fava (violin I)
Giovanni Dalla Vecchia (violin II)
Judit Földes (violin III)
Walter Vestidello (violoncello)
Giampietro Rosato (harpsichord)
Giancarlo Rado (baroque guitar)
Rão Kiao, a partir de 1982, decide dar uma viragem na sua música, prosseguindo o seu interesse pelo choque entre universos culturais distintos e interpreta ao saxofone fados clássicos acompanhado pelos guitarristas António Chaínho e José Maria Nóbrega. O álbum "Fado Bailado", resultado dessa união,foi um estrondoso e surpreendente sucesso atingindo o "Disco de Platina".
This song is very similar to "A Small Measure of Peace," but I think it's so good in its own right that I decided to upload it as well. It has a much more tranquil feeling in the beginning.
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5/Jul/2010 16:09
carinho mano que te dizes envergonhado com nossa "irmandade" :)
Flor do Deserto
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Klezfiddle1—26 de Fevereiro de 2008 — A studio quality recording of this piece can be now heard on track 2 of my NEW CD ALBUM, "An Ancient Lyre" - available from: http://www.cdbaby.com/cd/mlevy4 (also out on iTunes)
This unique video, features my arrangement of the 3400 year old "Hurrian Hymn no.6", which was discovered in Ugarit ,ancient northern Canaan (now modern Syria) in the early 1950s, and was preserved for 3400 years on a clay tablet, written in the Cuneiform text of the ancient Hurrian language - it is THE oldest written song yet known! Respect, to the amazing ancient culture of Syria...السلام عليكم
It is played here, on a replica of the ancient Kinnor Lyre from neighbouring Israel; an instrument almost tonally identical to the wooden asymmetric-shaped lyres played throughout the Middle East at this amazingly distant time...when the Pharaoh's still ruled ancient Egypt. (Unfortunately, the webcam I used to record this video is almost as ancient as the melody I am playing - apologies in advance, for the frankly crappy picture quality!!)
The amazing lyre I am playing is made by Mid East Ethnic Instruments, and is avaiable, anywhere in the world, from:
The melody is one of several academic interpretations, from the ambiguous Cuneiform text of the Hurrian language in which it was written. Although many of the meanings of the Hurrian language are now lost in the mists of time, it can be established that the fragmentary Hurrian Hymn which has been found on these precious clay tablets are dedicated to Nikkal; the wife of the moon god.
There are several such interpretations of this melody, but to me, the fabulous interpretation just somehow sounds the most "authentic". Below is a link to the sheet music, as interpreted by Clint Goss:
In my arrangement of the Hurrian Hymn, I have attempted to illustrate an interesting diversity of ancient lyre playing techniques, ranging from the use of "block and strum" improvisation at the end, glissando's, trills & tremolos, and alternating between harp-like tones in the left hand produced by finger-plucked strings, and guitar-like tones in the right hand, produced by use of the plectrum.
I have arranged the melody in the style of a "Theme and Variations" - I first quote the unadorned melody in the first section, followed by the different lyre techniques described above in the repeat, & also featuring improvisatory passages at the end of the performance.
I am also playing the lyre horizontally - a much more authentic playing position, as depicted in ancient illustrations of Middle Eastern Lyre players:
This also seems a much more stable playing position to me, and I find it much easier to improvise with string-blocking etc when the lyre is held in this manner.
My arrangement of the melody is much slower than the actual academic interpretation - I wanted the improvisations in the variations on the theme to stand out, and to better illustrate the use of lyre techniques by a more rubato approach to the melody.
The lyre I am playing is a replica of the Lyre of the Ancient Hebrews, based on contemporary illustration on the back of an ancient Jewish coins. To see a 3300 year old illustration of a lyre player from ancient Canaan, simply Google search for the "Megiddo Ivory"
Travel back in time with me now, to the very Dawn of Civilization...ENJOY! For full details, please also visit:
