Aprender, Aprender Sempre ! (Lenine) ..... Olá, Diga Bom Dia com Alegria, Boa Tarde, sem Alarde, Boa Noite, sem Açoite ! E Viva a Vida, com Alegria e Fantasia (Victor Nogueira) ..... Nada do que é humano me é estranho (Terêncio)
Num dos momentos mais sublimes da sétima arte, numa de suas mais belas manifestações (Casablanca, de 1942), enquanto soldados nazistas começam a entoar um hino patriótico alemão, um dos líderes da resistência tcheca, presente na ocasião, enfurecidamente corre aos músicos e pede que toquem a Marselhesa.
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Por não mais que alguns segundos, aquilo que poderia ser uma voz solitária se transmuta num fervor coletivo, num assalto passional que leva todos os exilados, expatriados e amantes sedentos da liberdade a seguirem em estrondoso coro, que majestosamente emudece a horda hitleriana.
(a tradução de "Die Wacht am Rhein" foi feita via uma versão em inglês, e a tradução da Marselhesa foi baseada na que a embaixada francesa no Brasil disponibiliza)
sources Wikipédia : Paris brûle-t-il ? (1966) est un film franco-américain réalisé par René Clément, adapté du livre de Larry Collins et Dominique Lapierre.
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Paris brûle-t-il ? est une fresque historique qui décrit les dernières semaines de la Seconde Guerre mondiale en France, et en particulier à Paris, jusqu'à la libération de la capitale en août 1944.
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L'action est centrée sur les faits de résistance qui ont contribué à la reddition de l'armée allemande, et sur les personnages principaux de cette période : le général américain Patton, le général allemand von Choltitz, Jacques Chaban-Delmas, alors l'un des chefs de la Résistance, le général Leclerc, etc.
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La fin du film insiste sur l'ordre donné par Adolf Hitler à l'armée d'occupation de raser Paris avant de capituler, en faisant sauter les ponts et les monuments. Le général Dietrich von Choltitz désobéira finalement à cet ordre et se rendra sans condition aux alliés, préservant ainsi Paris de la destruction.
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Avec un casting de superproduction, Paris brûle-t-il ? n'est pourtant pas un film de stars, mais retrace de façon précise et quasiment documentaire cette période tourmentée et hautement importante dans l'histoire de la France et de Paris.
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Voici les paroles ou lyrics de Paris en colère interprétées par Mireille Mathieu :
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Que l'on touche à la liberté
Et Paris se met en colère
Et Paris commence à gronder
Et le lendemain, c'est la guerre.
Paris se réveille
Et il ouvre ses prisons
Paris a la fièvre :
Il la soigne à sa façon.
Il faut voir les pavés sauter
Quand Paris se met en colère
Faut les voir, ces fusils rouillés
Qui clignent de l'oeil aux fenêtres
Sur les barricades
Qui jaillissent dans les rues
Chacun sa grenade
Son couteau ou ses mains nues.
La vie, la mort ne comptent plus
On a gagné on a perdu
Mais on pourra se présenter là-haut
Une fleur au chapeau.
On veut être libres
A n'importe quel prix
On veut vivre, vivre, vivre
Vivre libre à Paris.
Attention, ça va toujours loin
Quand Paris se met en colère
Quand Paris sonne le tocsin
Ça s'entend au bout de la terre
Et le monde tremble
Quand Paris est en danger
Et le monde chante
Quand Paris s'est libéré.
C'est la fête à la liberté
Et Paris n'est plus en colère
Et Paris peut aller danser
Il a retrouvé la lumière.
Après la tempête
Après la peur et le froid
Paris est en fête
Et Paris pleure de joie.
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. claudettecolbert60— 2 de Fevereiro de 2008 — Marlene Dietrich - Where Have All The Flowers Gone?
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. Maria Verstakova - Where have all the flowers gone
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Where have all the flowers gone,
Long time passing,
Where have all the flowers gone,
Long time ago
Where have all the flowers gone,
Young girls picked them every one
When will they ever learn
When will they ever learn
Where have all the young girls gone,
Long time passing,
Where have all the young girls gone,
Long time ago,
Where have all the young girls gone,
gone to young men every one
When will they ever learn
When will they ever learn
Where have all the young men gone,
Long time passing,
Where have all the young men gone,
Long time ago,
Where have all the young men gone,
gone to soldiers every one,
When will they ever learn
When will they ever learn
Where have all the soldiers gone,
Long time passing,
Where have all the soldiers gone,
Long time ago,
Where have all the soldiers gone,
Gone to graveyards every one
When will they ever learn
When will they ever learn
Where have all the graveyards gone,
Long time passing,
Where have all the graveyards gone,
Long time ago,
Where have all the graveyards gone,
Gone to flowers every one
When will they ever learn
When will they ever learn
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setfree69—26 de Dezembro de 2007 — Classic Joan Baez track backed with a video showing the futility of War without end.
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Thespadecaller—18 de Fevereiro de 2008 — On July 26, 1956, the House of Representatives voted 373 to 9 to cite Pete Seeger and seven others (including playwright Arthur Miller) for contempt, as they failed to cooperate with House Un-American Activities Committee (HUAC) in their attempts to investigate alleged subversives and communists. Pete Seeger testified before the HUAC in 1955.
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In one of Pete's darkest moments, when his personal freedom, his career, and his safety were in jeopardy, a flash of inspiration ignited this song. The song was stirred by a passage from Mikhail Sholokhov's novel "And Quie Flows the Don". Around the world the song traveled and in 1962 at a UNICEF concert in Germany, Marlene Dietrich, Academy Award-nominated German-born American actress, first performed the song in French, as "Qui peut dire ou vont les fleurs?" Shortly after she sang it in German. The song's impact in Germany just after WWII was shattering. It's universal message, "let there be peace in the world" did not get lost in its translation. To the contrary, the combination of the language, the setting, and the great lyrics has had a profound effect on people all around the world. May it have the same effect today and bring renewed awareness to all that hear it.
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cschoon1213—12 de Agosto de 2009 —Peter Paul and Mary, Where Have All The Flowers Gone
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swing52a— 8 de Setembro de 2008 — Gigliola Cinquetti A senza rete accompagnata alla chitarra da Mario Ganci in Where Have All The Flowers Gone (P.Seeger) e L'acquabelle
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Maria Verstakova - Where have all the flowers gone - MariaVerstakova—25 de Abril de 2008 — The song of Pete Seeger.
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paveljiracek—14 de Maio de 2009 — Where have all the flowers gone & The days of wine and roses, performed by Pavel B. Jiracek
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. Mireille Mathieu - Where have all the flowers gone- DmitriBukin—21 de Abril de 2009 —
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"Where Have All the Flowers Gone?" (1961) is a folk song. The first three verses were written by Pete Seeger in 1955, and published in Sing Out!.[1] Additional verses were added by Joe Hickerson in May 1960, who turned it into a circular song.[2] Its rhetorical "where?" and meditation on death can be seen as falling in the ubi sunt tradition.[3]
Seeger found inspiration for the song in October 1955, while on a plane bound for a concert in Ohio. Leafing through his notebook he saw the passage, "Where are the flowers, the girls have plucked them. Where are the girls, they've all taken husbands. Where are the men, they're all in the army."[4] These lines were taken from traditional Ukrainian folk song "Tovchu, tovchu mak", referenced in the Mikhail Sholokhov novel And Quiet Flows the Don (1934).[3] .
Seeger adapted it to a tune, possibly a pre-existing folk song. With only three verses, he recorded it once in a medley on a Rainbow Quest album (Folkways LP FA 2454) and forgot about it. Joe Hickerson later added verses one, four and five,[3] in May 1960 in Bloomington.[5] .
The original Koloda Duda was published in Sing Out! in 1962.[6] In 2010, the New Statesman listed it as one of the "Top 20 Political Songs".[7]
Versions
The Kingston Trio recorded the song in 1961 and believing it to be a traditional song claimed authorship, but they took their name off when Seeger asked them to;[5] their single, with "O Ken Karanga" as the A-side and the hit "Where Have All The Flowers Gone?" the B-side, reached #21 in the 1962 charts, as shown in the Billboard Hot 100.
Marlene Dietrich performed this song in English, French and German. The song was first performed in French (as "Qui peut dire où vont les fleurs?") by Marlene in 1962 at a UNICEF concert. She also recorded the song in English and in German, the latter titled "Sag' mir, wo die Blumen sind", with lyrics translated by Max Colpet. She performed the German version on a tour of Israel, where she was warmly received; she was the first person to break the taboo of using German publicly in Israel since WWII. [8][3]
Dalida also recorded the song in French as "Que sont devenues les fleurs?", in 1962 (Les Années Barclay, vol. 5, 1962).
Vera Lynn recorded the song as the eleventh cut on her 1964 album "Among My Souvenirs".
Harry Belafonte has made one recording of it at a beneficiary concert in Stockholm, Sweden, 1966 on the album BEL-1.
Jazz guitarist Wes Montgomery recorded an instrumental version in his trademark style on the 1968 LP Road Song
In 1969, Rufus Harley recorded a jazz instrumental version on his trademark bagpipes, but the track was never commercially released until it was included in his posthumously released limited edition collection Courage - The Atlantic Recordings in 2006.
