Discurso de Charlie Chaplin em "O grande ditador" legendado em português

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Panter4
2 de Julho de 2009

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Trecho do filme "O grande ditador" (The great dictator), 1940 de Charles Chaplin com legendas em português. Para os que se interessarem em fazer suas próprias legendas, os programas usados foram:

Media Subtitler (DivxLand) - criar e editar legendas VirtualDub - para embutir legendas

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The African Queen - Original Trailer 1951

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foxter65

4 de Dezembro de 2008

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After years of wooing director John Huston via good reviews, film critic James Agee was given a chance to write the screenplay for a Huston picture. Adapted from a novel by C.S. Forester, The African Queen stars Humphrey Bogart in his Oscar-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small East African villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary (Robert Morley). When invading Germans kill the missionary and level the village, Allnut offers to take Rose back to civilization. She can't tolerate his drinking or bad manners; he isn't crazy about her imperious, judgmental attitude. However it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. The African Queen may well be the perfect adventure film, its roller-coaster storyline complemented by the chemistry between its stars. The profound difficulties inherent in filming on location in Africa have been superbly documented by several books, including one written by Katharine Hepburn. Screenwriter Peter Viertel (who worked, on an uncredited basis, on the script of this film - assisting with some of the dialogue) incorporated some of the African Queen anecdotes in his roman a clef about a Huston-like director/adventurer, White Hunter, Black Heart.

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Humphrey Bogart - Charlie Allnut
Katharine Hepburn - Rose Sayer
Robert Morley - Rev. Samuel Sayer
Peter Bull - Captain of Louisa
Theodore Bikel - First Officer
Walter Gotell - Second Officer
Gerald Onn - Petty Officer
Peter Swanwick - First Officer of Shona
Richard Marner - Second Officer of Shona

Irene Papas in "Electra" (1962) (05/12)

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theaglaukopis
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Part 6:
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Euripides: Electra (1962 - Irene Papas) Orestes revealed

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ShakespeareAndMore
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Irene Papas ... Elektra
Giannis Fertis ... Orestis
Notis Peryalis ... Elektra's Husband
Takis Emmanuel ... Pylades
Manos Katrakis ... The Tutor

in Greek, with english subtitles

Produced and directed by Mihalis Kakogiannis (Michael Cacoyannis)

Original Music by Mikis Theodorakis
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Euripides: Electra (1962 - Irene Papas) Aegisthus killed

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ShakespeareAndMore
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The Baccanates are at is as Aegisthus is killed, then the corpse is brought to Electra.

Irene Papas ... Elektra
Giannis Fertis ... Orestis
Fivos Razi ... Aegisthus (as Phoebus Rhazis)
Takis Emmanuel ... Pylades
Manos Katrakis ... The Tutor

in Greek, with english subtitles

Produced and directed by Mihalis Kakogiannis (Michael Cacoyannis)




Original Music by Mikis Theodorakis

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"Antigone" (1961 Film) With Irene Papas: sealed in a Cave

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ShakespeareAndMore
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from the play by Sophocles

Irene Papas ... Antigone
Manos Katrakis ... Creon

Director:
Yorgos Javellas (George Tzavellas)

in Greek with English subtitles

Much of Antigone's humanity comes thru in this scene, though more by Papas' acting than the words. Antigone clearly does want to live, and laments her impending death. Missing from this filmed except are the famous (or infamous, around line 1000) comments where she provides rather unconvincing reasons for her actions, and furthur confesses that she would not do all this over the body of a husband or son--repudiating her earlier stance. Some scholars have argued that this passage isn't authentic, but their reasons are rather subjective, and no less an authority than Aristotle quoted them and gave no hint that they may be spurious.

In any case, her actions and words are those of a young woman, filled the certainty and righteousness of youth (Oscar Wilde "I am not young enough to know everything") who, moreover, has not experienced a husband or a child. Antigone is closer to her dead family than anyone living anyway. She is in a rather disraught state now, but like any fine Greek, has to find reasons. But her "reasons" were always more emotional, or to be more exact, pre-rational, anyway. In her cross-examination by Creon (lines 550-570 or so), he zeros in quite effectively on her "reasonings" and she has to retreat into dogma.

Remember that at no time does Tiresias say her stance is correct, and the proper burial of her brother would have taken place without her intervention.

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Ingmar Bergman - The Seventh Seal

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ropbo
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Ingmar Bergman - The Seventh Seal - That's just a teaser to help promote Bergman's work. If you want to see the whole movie, please respect the artist/distributor and buy/rent the DVD. Thanks
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Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life
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Ingmar Bergman's "The Seventh Seal" ("Det Sjunde inseglet") theatrical trailer

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kramdenac
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(SPOILERS) Ingmar Bergman's "The Seventh Seal" ("Det Sjunde inseglet") theatrical trailer (1957)

Hoje há Música (47) - A Hard Days's Night

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daspyked1

"A Hard Day's Night" is a 1964 hit song by John Lennon and Paul McCartney, performed by English band The Beatles and produced by George Martin. The song featured prominently on the soundtrack to The Beatles' first feature film, A Hard Day's Night, and was on their album of the same name. The song topped the charts in both the United Kingdom and United States when it was released as a single
bezo1981
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A Hard Day's Night Lyrics
Artist(Band):The Beatles
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Bon Jovi - A Hard Day's Night (Tradução) Lyrics

Tem sido uma noite dificil
E eu tenho trabalhado que nem cachorro
Tem sido uma noite dificil
Eu deveria estar dormindo como um registro
Mas quando eu chego em casa pra ver vc
Eu acho as coisas que vc fez
Elas vão me fazer sentir melhor
Você sabe que trabalho o dia todo pra trazer seu dinheiro e comprar suas coisas
O esforço vale somente para ouvir você dizer q vai me dar de tudo
Então porque eu deveria reclamar
Porque quando pego você sozinha
Você sabe q me sinto bem
Quando estou em casa tudo parece ficar certo
Quando estou em casa sentindo seu abraço forte,forte,yeah
Tem sido uma noite dificil
E eu tenho trabalhado que nem cachorro
Tem sido uma noite dificil
Eu deveria estar dormindo como um registro
Mas quando eu chego em casa pra ver vc
Eu acho as coisas que vc fez
Elas vão me fazer sentir melhor
Você sabe que trabalho o dia todo pra trazer seu dinheiro e comprar suas coisas
O esforço vale somente para ouvir você dizer q vai me dar de tudo
Então porque eu deveria reclamar
Porque quando pego você sozinha
Você sabe q me sinto bem
Quando estou em casa tudo parece ficar certo
Quando estou em casa sentindo seu abraço forte,forte,yeah
Tem sido uma noite dificil
E eu tenho trabalhado que nem cachorro
Tem sido uma noite dificil
Eu deveria estar dormindo como um registro
Mas quando eu chego em casa pra ver vc
Eu acho as coisas que vc fez
Elas vão me fazer sentir melhor

ics.org/yB (Lennon/McCartney) . It's been a hard day's night, and I been working like a dog It's been a hard day's night, I should be sleeping like a log But when I get home to you I find the things that you do Will make me feel alright You know I work all day to get you money to buy you things And it's worth it just to hear you say you're going to give me everything So why on earth should I moan, 'cause when I get you alone You know I feel ok When I'm home everything seems to be right When I'm home feeling you holding me tight, tight Yeah... It's been a hard days night, and I've been working like a dog It's been a hard days night, I should be sleeping like a log But when I get home to you I find the things that you do will make me feel alright You know I feel alright You know I feel alright

[Lyrics found at www.mp3lyrics.org/yB

Hoje há Música (35) e dança - ELEANOR POWELL E FRED ASTAIRE

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O ANEXO MOSTRA A DANÇA DE ELEANOR POWELL E FRED ASTAIRE, NO FILME "MELODIA DA BROADWAY", DE 1940, SAPATEANDO "BEGIN THE BEGUINE", DE COLE PORTER.NA OPINIÃO DE ESPECIALISTAS, É O MELHOR NÚMERO DE SAPATEADO DO MUNDO, EM TODOS OS TEMPOS. INCRIVELMENTE, CONSTA QUE A DANÇA FOI FILMADA SEM CORTES, EM UMA ÚNICA TOMADA.COMO DIZ O FRANK SINATRA NO ÁUDIO SOBREPOSTO, "NUNCA MAIS SE VERÁ ALGO ASSIM". APRECIEM O VÍDEO!

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Artur Baptista

Hoje há Música (20) - Cabaret - Money

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ainfean1

Hoje há Música (19) - Life is a Cabaret

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AnthonySpeed

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GardeniaMana
13 de abril de 2006

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A music video of the film "Cabaret" with shot of the last scene and "Mein Herr". The music is "Cabaret" of the film. Liza, we love you ^^!!

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Hoje há música (18.1) - Cabaret e Casablanca

Estas são duas das músicas de sentido contrário que me «estremecem». A 1ª é o hino nazi «Tomorrow belongs to Me» no filme «Cabaret»_(Bob Fosse): um fio de voz dum rapaz que vai engrossando com a junção de outras vozes juvenis, até atingir o climax com toda a assistência cantando em coro, incluindo uma criança, perante o evidente desagrado dum velhote e o abandono de cena por três dos principais personagens do filme: o rico judeu estudante de inglês, o inglês vizinho da cantora de cabaret e o «entertainer» do Cabaret.

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A outra, de sentido contrário, é a «luta» entre a canção dos oficiais nazis em «Casablanca»_(Michael Curtiz), à qual se sobrepõe o hino da França Livre - A Marselhesa - que termina com o encerramento pela polícia francesa do café de Rick.
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Tomorrow Belongs to Me" was written by John Kander and Fred Ebb as a pastiche of the rousing German patriotic songs of the period (Die Wacht am Rhein[1] and the Horst Wessel Lied[2], for instance). Sung by a stereotypical Hitler Youth, it often has been mistaken for genuine. This has led to the songwriters (both Jewish, incidentally) being accused of anti-Semitism.

.Speculation continues about the actual singer of "Tomorrow Belongs to Me". Apparently, Bob Fosse's biography states that the song was recorded for the film by Broadway singer/actor, Mark Lambert. Lambert is said to have refused to dye his hair blond for filming so - in one of the film's most powerful scenes - a young German extra stood in for him and mimed the song on camera.

In one case, Kander and Ebb did their job a little too well - the number 'Tomorrow Belongs to Me', which occurs twice during the first act, and acts as an anthem for the Nazi characters is chilling in its theatrical context. However, quite contrary to what the composer and lyricist would have intended, the song was later adopted by a neo-Nazi group, Skrewdriver, principally due to the final verse:

"Oh, Fatherland, Fatherland, show us the time your children have waited to see
The morning will come when the world is mine
Tomorrow belongs to me!"

Originally sung in English, "Tomorrow Belongs To Me" was dubbed in German for the French version of the film(3).

(1)Die Wacht am Rhein http://www.youtube.com/watch?v=6OBwgV...
(2)Horst Wessel Lied http://www.youtube.com/watch?v=bS-pJh...
(3)German song from French Version http://www.youtube.com/watch?v=ZmynVk...

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linuxrodo
May 30, 2007

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Hoje há música (18.2.1) - Cabaret e Casablanca

Hoje há música (18.2.2) - Cabaret e Casablanca

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http://www.youtube.com/watch?v=tRaK44teGwk

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Incorporação desactivada por pedido

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TahKhominion | 19 de Outubro de 2007

Num dos momentos mais sublimes da sétima arte, numa de suas mais belas manifestações (Casablanca, de 1942), enquanto soldados nazistas começam a entoar um hino patriótico alemão, um dos líderes da resistência tcheca, presente na ocosião, enfurecidamente corre aos músicos e pede que toquem a Marselhesa.

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Por não mais que alguns segundos, aquilo que poderia ser uma voz solitária se transmuta num fervor coletivo, num assalto passional que leva todos os exilados, expatriados e amantes sedentos da liberdade a seguirem em estrondoso coro, que majestosamente emudece a horda hitleriana.

(a tradução de "Die Wacht am Rhein" foi feita via uma versão em inglês, e a tradução da Marselhesa foi baseada na que a embaixada francesa no Brasil disponibiliza)

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R.J.R, Campinas, 19/10/2007 - 11:00

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Hoje há música (17.1.1) - Duas canções de amor e tempo de guerra - Lili Malern

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ExoPierre

Hoje há música (17.2) - Duas canções de amor em tempo de guerra - As time goes by

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jcfg10

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BlauweBarry
8 de março de 2008
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"As Time Goes By" music and words by ~ Herman Hupfeld .

. This day and age we're living in Gives cause for apprehension With speed and new invention And things like fourth dimension. . Yet we get a trifle weary With Mr. Einstein's theory. So we must get down to earth at times Relax relieve the tension . And no matter what the progress Or what may yet be proved The simple facts of life are such They cannot be removed.] . You must remember this A kiss is just a kiss, a sigh is just a sigh. The fundamental things apply As time goes by. . And when two lovers woo They still say, "I love you." On that you can rely No matter what the future brings As time goes by. . Moonlight and love songs Never out of date. Hearts full of passion Jealousy and hate. Woman needs man And man must have his mate That no one can deny. . It's still the same old story A fight for love and glory A case of do or die. The world will always welcome lovers As time goes by. . Oh yes, the world will always welcome lovers As time goes by. . .