Aprender, Aprender Sempre ! (Lenine) ..... Olá, Diga Bom Dia com Alegria, Boa Tarde, sem Alarde, Boa Noite, sem Açoite ! E Viva a Vida, com Alegria e Fantasia (Victor Nogueira) ..... Nada do que é humano me é estranho (Terêncio)
Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Para burlar la ley
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Perdido en el corazón
De la grande Babylon
Me dicen el clandestino
Por no llevar papel
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Pa' una ciudad del norte
Yo me fui a trabajar
Mi vida la dejé
Entre Ceuta y Gibraltar
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Soy una raya en el mar
Fantasma en la ciudad
Mi vida va prohibida
Dice la autoridad
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Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Por no llevar papel
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Perdido en el corazón
De la grande Babylon
Me dicen el clandestino
Yo soy el quiebra ley
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Mano Negra clandestina
Peruano clandestino
Africano clandestino
Marijuana ilegal
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Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Para burlar la ley
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Perdido en el corazón
De la grande Babylon
Me dicen el clandestino
Por no llevar papel
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Argelino clandestino
Nigeriano clandestino
Boliviano clandestino
Mano negra ilegal
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.http://letras.terra.com.br/manu-chao/7356/
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Mala Vida Lyrics . . Tu me estas dando mala vida
yo pronto me voy a escapar
gitana mia por lo menos date cuenta
gitana mia por favor
tu me dejas respirar
tu me estas dando mala vida
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cada dia se la traga mi corazon !
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dime tu porque te trato yo tan bien
cuando tu me hablas como un cabron
gitana mia !
mi corazito est sufriendo
gitana mia por favor
sufriendo mal nutricion
tu me estas dando mala vida
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cada dia se la traga mi corazon ! . http://manu-chao.musicas.mus.br/letras/746844/
. ***** .
****
Estás a dar-me uma vida má
Já estou pronto/preparado para fugir/abalar
Minha cigana, pelo menos repara/nota/vê
Cigana minha, por favor
Deixa-me respirar
Pois estás a enegrecer a minha vida
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Cada dia apodera-se do meu coração
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Diz-me/Explica-me porque te trato tão bem
Enquanto tu me falas como a um cabrão/verme/patife
Cigana minha
Meu coraçanito/pequeno coração está sofrendo
Cigana minha, por favor
Sofrendo com fome
pois estás a dar-me uma triste vida
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Cada dia apodera-se do meu coração
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Tradução Victor Nogueira . .
Conheceram-se no metro de Paris e separaram-se a bordo de um comboio na Colômbia. Para quem não conhece Mano Negra, o mais fácil a fazer é dizer que Manu Chao foi o seu líder indiscutível e que de 1987 a 1994 foram um caso sério de sucesso pela Europa e Mundo fora.
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Manu Chao gozava já nesta altura de um certo reconhecimento no meio alternativo parisiense e era uma figura bastante estimada que já vinha fazendo história no rock francês dos anos 80 com as bandas Los Carayos e Joint de Culasse que mais tarde seriam conhecidos por Hot Pants.
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Os Mano Negra aparecem na cena musical parisiense a meio dos anos 80, com um estilo sonoro ecléctico cantado em castelhano, francês e inglês, onde o dub se misturava com bases à la Clash e Chuck Berry e com toques latinos percussivos que se fundiam ora com ska ora com reggae. Como eles próprios se definiam… Rock n’ Roll Universal.
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Durante quase uma década percorrem todo um circuito underground europeu que culminou numa digressão explosiva pela América do Sul.
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Por lá, os Mano Negra deram conta que haviam saído do seu esquema original e decidiram voltar aos seus antigos costumes. Em 1992 decidem pegar na ideia de juntar um grupo de teatro francês, cujo objectivo era viajar de barco por toda a costa atlântica sul-americana realizando festivais culturais com música e teatro em cada porto e terminar com um grande festival no Rio de Janeiro.
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A ideia realizou-se e decidem integrá-la na sua digressão mundial, que se chamou Cargo Tour 92. Em finais de 1993 levaram a cabo outro projecto que consistia em percorrer estradas colombianas de Bogotá até Santa Martha de comboio.
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Aos Mano Negra juntaram-se Ramon Chao (pai de Manu Chao) e um grupo de colaboradores franceses e sul-americanos. A viagem ocorreu com muitas turbulências, tiveram problemas com guerrilhas locais para poderem transitar e houve conflitos no seio do grupo, o que levou ao abandono de alguns membros da banda, mas mesmo assim o grupo projectou toda a sua energia nas várias estações de comboio colombianas.
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Das coisas boas que resultaram destas viagens uma delas é sem dúvida o livro que Ramon Chao escreveu e que relata todas as experiências vividas, o livro chama-se “Un Train De Feu Et De Glace” (“Um Comboio de Fogo e de Gelo – Mano Negra na Colômbia”), um importante documento da vida do grupo.
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Os Mano Negra desintegram-se em 1995, deixando-nos como herança 6 álbuns magníficos. Manu Chao decide juntar alguns músicos e monta uma nova banda, os Radio Bemba Soundsystem, Clandestino e Próxima Estación: Esperanza, fazem o resto de uma história de sucesso já bem conhecida do ex-vocalista dos Mano Negra.
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DVD – Mano Negra
Out of Time
2 DVD Emi Music France/EMI
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Se bem que este DVD é mais uma pequena pérola para os fãs de Manu Chao, a verdade é que se escondem nele histórias fabulosas de viagens sem destino que os Mano Negra decidiram encetar.
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Para além das marcantes viagens artísticas pela América latina, mostra-nos documentários que servem muito bem como arma de arremesso política. Sabendo que o grupo esteve sempre ligado a facções esquerdistas (chegando mesmo a ser acusado de financiamento do grupo independentista basco E.T.A) este documento visual e sonoro, avisa-nos que a palavra tem que ser escutada e a luta anti-capitalista é levada muito a sério, sendo os próprios Mano Negra que nos mostram como isso influencia toda a sua caminhada musical.
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Os sons do Caribe mesclados com o puro rock passeiam-se à nossa frente, seja num bar onde o cheiro a vinho derramado no chão é nauseabundo, seja numa praça pública onde a multidão se arrasta e chega mesmo ás 100 mil cabeças, na Bolívia.
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Out of Time é uma importante peça num puzzle musical que há muito tentam decifrar. Para quem achava que Manu Chao tinha feito Clandestino a partir do nada, ficamos a saber que já o fazia muitos anos antes de ser o que é e quem é hoje em dia.
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Há quem diga que a banda terminou porque Manu convidava sempre muitos músicos para tocarem ao vivo com Mano Negra. Já nessa altura se via um Manu Chao em vias de crescimento além fronteiras. .
Documentário de consumo obrigatório.
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. http://www.ruadebaixo.com/mano-negra.html. - Edição nº 29 - Março 2006
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nomeachantare 23 de Setembro de 2007 . . One song of the new Manu Chao's album.
Chanson extraite de l'album Sibérie M'était Contée.
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J'ai besoin de la lune
pour lui parler la nuit.
J'ai besoin du soleil
pour me chauffer la vie.
J'ai besoin de la mer
pour regarder au loin.
J'ai tant besoin de toi
tout à coté de moi.
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J'ai besoin de la lune
Pour voir venir le jour
tant besoin du soleil
pour l'appeler la nuit
J'ai besoin de la mer
Tout a coté de moi
J'ai tant besoin de toi
pour me sauver la vie ...
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j'ai besoin de mon père
pour savoir d'ou je viens,
TANT besoin de ma mère
pour montrer le chemin.
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J'ai besoin du metro
pour aller boire un verre
tant besoin d'oublier
tant besoin de prières
.
J'ai besoin de la lune
pour lui parler la nuit.
.
J'ai besoin de la lune
pour lui parler la nuit.
Tant besoin du soleil
pour me chauffer la vie.
J'ai besoin de la mer
pour regarder au loin
J ai tant besoin de toi
tout a cote de moi...
.
J'ai besoin de la terre
pour connaître l'enfer
tant besoin d'un ptit coin
pour pisser le matin
j ai tant besoin d'amour
tant besoin tout les jours
J ai tant besoinde toi
tout a cote de moi
j ai tant revé d'un jour
de marché sous la lune
j ai tant reve d'un soir
au soleil de tes nuits
j'ai tant reve d'une vie
a dormir ce matin
.
J'ai besoin de la lune
pour lui parler la nuit
pas besoin de la mort
pour rire à mon destin
.
J'ai besoin de la lune
pour lui parler la nuit
pas besoin de la mort
pour rire à mon destin . . ***** .-
Manu Chao (born José-Manuel Thomas Arthur Chao on June 21, 1961), is a French folk singer of Spanish origin (Basque and Galician). He sings in French, Spanish, English, Arabic, and Portuguese and occasionally in other languages. Chao began his musical career with Hot Pants, a French band that combined several musical styles and languages. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987. He became a solo artist after its breakup in 1995.
Chao was born in Paris, France, to Spanish parents. His mother, Felisa Ortega, is from Bilbao, Basque country and his father, writer and journalist Ramón Chao, is from Vilalba, Galicia. They emigrated to Paris to avoid Francisco Franco's dictatorship —Manu's grandfather had been sentenced to death.[1] Shortly after Manu's birth, the Chao family moved to the outlying suburbs of Paris, and Manu spent most of his childhood in Boulogne-Billancourt and Sèvres. As he grew up he was surrounded by many artists and intellectuals, most of whom were acquaintances of his father.[2] Chao cites much of his childhood experience as inspiration for some songs.[3]
Career
Manu Chao performs live
Early years and Mano Negra
Heavily influenced by the UK rock scene, particularly The Clash, The Jam and Dr. Feelgood,[4] Chao and other musicians formed the Spanish/English rockabilly group Hot Pants in the mid-1980s. The group released a demo entitled "Mala Vida" in 1984, which received plenty of local critical praise but otherwise gained them little attention. By the time the group released their first album in 1986 the Parisian alternative music scene had taken flight, and Manu, his brother Antoine Chao, and friends such as Alain from Les Wampas formed Los Carayos to incorporate this sound with the rockabilly and punk styles of Hot Pants. Los Carayos remained a side project of the artists for eight years, releasing three albums in the first two years followed by a final album in 1994.
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In 1987, the Chao brothers and their cousin Santiago Casariego founded the multiracial band Mano Negra. Starting on a smaller label, the group released a reworked version of the Hot Pants single "Mala Vida", which quickly became a hit in France. The group soon moved to Virgin Records, and their first album Patchanka was released the following year. Though the group never gained much fame in the English-speaking market, popularity throughout the rest of the world soon followed, reaching the Top #5 in the Netherlands, Italy and Germany. The band achieved some fame in South America with 1992's Cargo Tour, where it played a series of shows in port cities, performing from a stage built into their tour ship's hold.[5] Mano Negra also performed a tour through much of South America in a retired train.[1] Still, rifts began to grow among band members during the port tour and the following year's train tour; many band members, including Manu's brother Antoine, had left the group by the end of 1994. Following that year's release of their final album, Casa Babylon, Manu Chao moved the band to Madrid, but legal problems with former band mates led Chao to disband the group in 1995.[2]
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Mano Negra's sound is mostly characterized by energetic, lively rhythms, symbolized by the title of their first album, Patchanka, derived from the word pachanga (which is a colloquial term for "party"), and a distinct informality which allows the audience to get involved and feel close to their sound. Mixed music genres are present throughout their albums.
After arriving in Madrid, Chao and other band mates from Mano Negra formed a new group, Radio Bemba Sound System (named for the communication system used in the Sierra Maestra by the Castro-and-Guevara-led rebels in the Cuban Revolution), featuring groups from diverse backgrounds, such as MexicanTijuana No!, BrazilianSkank, and ArgentinianTodos Tus Muertos.[2] The goal was to replicate the sound of street music and bar scenes from a variety of cultures; to that end, Chao and the group spent several years travelling throughout South and Central America, recording new music as they went.[6] The resulting music differed drastically from Mano Negra; the songs were primarily sung in Spanish with far fewer French tracks and the musical style had shifted from punk and alternative styles to the street vibe Chao was aiming for. The songs were collectively released as Clandestino in 1998, under Manu Chao's own name. Though not an instant success, the album gained a steady following in France with hits such as "Bongo Bong" and "Clandestino", and the album eventually earned the Best World Music Album award in 1999's Victoires de la Musique awards. It sold in excess of 5 million copies.[1]
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Chao's second album with Radio Bemba Sound System, Próxima Estación: Esperanza, was released in 2001. This album, named after one of the Madrid metro station stops (the title translates to "next station: Hope"), features similar sounds to Clandestino but with heavier Caribbean influences than the previous album. The album was an instant hit, leading to a successful tour that resulted in the 2002 live albumRadio Bemba Sound System. Two years later, Chao returned to his French roots with the French-only album Sibérie m'était contée, which included a large book featuring lyrics to the album and illustrations by Jacek Woźniak.[1][2]
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Manu Chao's next album La Radiolina (literally "little radio" in Italian, but also "pocket radio") was released on September 17, 2007. This was the first international release since 2001's Próxima Estación: Esperanza. "Rainin in Paradize" was the first single from the album, available for download on his website before the release of the album.[7] Concert reviews indicate that music from La Radiolina was already being performed live as early as April 2007's Coachella show.[8]
Other works
In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche à Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at #8. Writer Josh Tyrangiel observed,
Chao's warm singing over José Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple.[9]
.He has many followers among the European left and the anti-globalization movement.[14] Punk and reggae historian Vivien Goldman commented of his work, "I was writing about Good Charlotte and The Police. They adopted the trappings of punk. They aren’t bad groups, but the punk aspect is more manifested by somebody like Manu Chao. He’s one of the punkiest artists out there I can think of. It's an inclusionary spirit that is punk."[15]
Chao also has a tendency to reuse music or lyrics from previous songs to form new songs. The contemporary hit single in France "Bongo Bong", takes its lyrics from the earlier Mano Negra hit "King of the Bongo", which bears a similar style to that of The Clash. The musical backdrop for "Bongo Bong", in turn, was used in several other Chao songs, including "Je ne t'aime plus" from the same album and "Mr. Bobby" and "Homens" from Próxima Estación: Esperanza. Also, the tune of "La Primavera", a track from that same album, is used in several other songs featured on the LP, while lyrics for a few songs on Sibérie m'était contéee are repeated several times with different music, leading the lyrics to be interpreted in various ways depending on the mood of the track. Several musical themes and clips from that album also appear on Amadou & Mariam's Chao-produced Dimanche à Bamako, which were being produced at approximately the same time.
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Though Chao is quite well-known in Europe and Latin America, he has not had the same success in the English-speaking world. Tours in the United States with Mano Negra were not as successful as elsewhere and Chao seems inclined to focus his efforts in the places where his musical style finds its roots. Though his live performances in the U.S. are exceedingly rare, Chao played a handful of dates there in 2006, including a headlining show at Lollapalooza 2006 in Chicago, IL.[16] His final appearance on his 2006 U.S. tour was a benefit concert in the Prospect Park Bandshell in Brooklyn, New York on August 7. He returned to that venue in the summer of 2007 for two concerts, part of the multicultural "Celebrate Brooklyn" concert series. The crowd was treated to a nearly two-hour performance, including two encores. Manu Chao also appeared at Merriweather Post Pavilion in Columbia, Maryland to a sellout crowd on June 23, 2007. This was a semi-spontaneous endeavour between Thievery Corporation and Manu Chao facilitated by a new-found friendship developed during Lollapalooza 2006.[16] He was one of the headlining acts at the 2008 Austin City Limits Music Festival and the Outside Lands Music Festival in Golden Gate Park.
A 23 second sample of "Mr. Bobby", the last single from Próxima Estación: Esperanza. The song uses samples from diverse sources and several instruments layered on top of each other.
Chao, Ramón. Mano Negra en Colombia. Un tren de hielo y fuego (originally Un train de glace et de feu), 1994. A chronicle of Mano Negra's 1993 tour on Colombia's decrepit railway through small, rural villages, written by Manu's father, Ramón Chao. The name of the train, Expresso de Hielo, was inspired by the opening line of Gabriel García Márquez's novel One Hundred Years of Solitude.
Chao, Ramón. The Train of Ice and Fire - Mano Negra in Colombia - (ISBN 9781901927375) Translated by Ann Wright, published in English by Route Route's Website
New Video from Manu Chao for his song "Me Llaman Calle" from the Nacional Records/ Because Music release "La Radiolina" available in stores and online.
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Me llaman calle,
pisando baldosas,
la revoltosa y tan perdida.
Me llaman calle,
calle de noche,
calle de día.
Me llaman calle,
hoy tan cansada,
hoy tan vacía,
como maquinita
por la gran ciudad.
Me llaman calle,
me subo a tu coche,
me llaman calle de malegría.
calle dolida,
calle cansada de tanto amar.
Voy calle abajo,
voy calle arriba,
no me rebajo ni por la vida.
Me llaman calle y ese es mi orgullo,
yo sé que un día llegará,
yo sé que un día vendrá mi suerte,
un día me vendrá a buscar
a la salida un hombre bueno
pa to la vida y sin pagar
mi corazón no es de alquila.
Me llaman calle,
me llaman calle
calle sufrida,
calle tristeza de tanto amar.
Me llaman calle
calle más calle.
Me llaman calle
siempre atrevida
me llaman calle
de esquina a esquina.
Me llaman calle
bala perdida
asi me disparó la vida.
Me llaman calle
del desengaño
calle fracaso, calle perdida.
Me llaman calle
vas sin futuro
Me llaman calle
va sin salida
Me llaman calle
calle más calle
la que mujeres de la vida
suben pa bajo
bajan pa arriba
como maquinita por la gran ciudad.
Me llaman calle
me llaman calle
calle sufrida
calle tristeza de tanto amar
Me llaman calle
calle más calle.
Me llaman siempre
y a cualquier hora,
me llaman guapa
siempre a deshora,
me llaman puta
también princesa
me llaman calle sin nobleza.
Me llaman calle
calle sufrida,
calle perdida de tanto amar.
Me llaman calle
me llaman calle
calle sufrida
calle tristeza de tanto amar.
A la Puri, a la Carmen, Carolina, Bibiana, Pereira, Marta, Marga,
Heidi, Marcela, Jenny, Tatiana, Rudy, Mónica, María, María
Me llaman calle
me llaman calle
calle sufrida
calle tristeza de tanto amar.
Me llaman calle
me llaman calle
calle sufrida
calle tristeza de tanto amar.
Me llaman calle
me llaman calle
calle sufrida
calle tristeza de tanto amar..
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http://www.gritala.net/ver/manu-chao-me-llaman-calle
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Mentira o que diz
Mentira o que dá
Mentira o que faz
Mentira a mentira
Mentira a verdade
Mentira o que conhece
Mentira a escuridão
Mentira o amor
Mentira o sabor
Mentira a que manda
Mentira comanda
Mentira a tristeza
Quando começa
Mentira não se vá
Mentira,mentira
A mentira...
Mentira não se apaga
Mentira não se ouve
Mentira,a mentira
Mentira quando chega
Mentira nunca se vai
Mentira,a mentira
Mentira a vai
Tudo é mentira neste mundo
Tudo é mentira,a verdade
Tudo é mentira,eu me digo
Tudo é mentira
Por quê será ?
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http://www.lyricstime.com/manu-chao-mentira-tradu-o-lyrics.html
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