Discurso de Lula da Silva (excerto)

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Mostrar mensagens com a etiqueta Mahalia Jackson. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Mahalia Jackson. Mostrar todas as mensagens

sexta-feira, 11 de junho de 2010

I Believe .- Elvis Presley, Mahala Jackson e The Platters

 I believe - elvis presley 
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I believe - Mahalia Jackson 

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The Platters - I believe

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iatedmen — 28 de Maio de 2009 — 
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.I believe for every drop of rain that falls
A flower grows,
I believe that somewhere in the darkest night
A candle glows,
I believe for everyone who goes astray,
Someone will come to show the way,
I believe, I believe.

I believe above the storm a smallest prayer
Will still be heard,
I believe that someone in the great somewhere
Hears every word,
Every time I hear a newborn baby cry,
Or touch a leaf, or see the sky,
Then I know why,
I believe.

Every time I hear a newborn baby cry,
Or touch a leaf, or see the sky,
Then I know why,
I believe.
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The Platters were a successful vocal group of the early rock and roll era. Their distinctive sound was a bridge between the pre-rock Tin Pan Alley tradition, and the burgeoning new genre. The original group members were Alex Hodge, Cornell Gunther, David Lynch, Joe Jefferson, Gaynel Hodge and Herb Reed.
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After signing with Buck Ram, the act went through several personnel changes before hitting the charts, with the most successful incarnation comprising :
TONY WILLIAMS (b. Samuel Anthony Williams, April 5, 1928, Elizabeth, N.J.; d. August 14, 1992, New York, NY [Manhattan]): tenor (1953-1961)
HERB REED (b. August 7, 1931, Kansas City, MO): bass (from 1953)
ZOLA TAYLOR (b. 1934, Los Angeles, CA): contralto (1955-1962)
PAUL ROBI (b. August 30, 1931, New Orleans, LA; d. February 1, 1989, Los Angeles, CA): baritone (1955-1962)
DAVID LYNCH (b. July 3, 1929, St. Louis, MO; d. January 2, 1981, Long Beach, CA): tenor (1953-1981)
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The Platters formed in Los Angeles in 1953 and were initially managed by Ralph Bass. The group had a contract with Federal Records but had found little success before meeting music entrepreneur and songwriter Buck Ram. The band recorded a series of singles backing Linda Hayes before Ram made some changes to the lineup, most notably the addition of lead vocalist Tony Williams (Linda Hayes' brother) and female vocalist Zola Taylor. Under Ram's guidance, the Platters recorded seven singles for Federal in the R&B/gospel style, scoring a few minor regional hits on the West Coast. One song recorded during their Federal tenure, Only You (And You Alone), originally written by Ram for the Ink Spots was deemed unreleasable by the label. 
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Despite their lack of chart success, the Platters were a profitable touring group--successful enough that The Penguins, coming off their #2 Earth Angel single, asked Ram to manage them as well. With the Penguins in hand, Ram was able to parlay Mercury Records' interest into a 2-for-1 deal. To sign the Penguins, Ram insisted, Mercury also had to take the Platters. Ironically, the Penguins would never have a hit for the label. 
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What set The Platters apart from most other groups of the era was that Ram had the group incorporate. Each member received equal shares of stock, full royalties and their Social Security was paid. As group members left, Ram and his business partner, Jean Bennett, bought their stock which gave them ownership of the "Platters" name, which would become significant later.
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The group was inducted into the Rock and Roll Hall of Fame in 1990 and into the Vocal Group Hall of Fame in its inaugural year of 1998. They Platters were the first rock and roll group to have a Top Ten album in America. They were also the only act to have three songs included on the "American Graffiti" soundtrack which sparked an oldies revival in the early to mid-1970s: "Smoke Gets in Your Eyes", "The Great Pretender" and "Only You (and You Alone)", which are just a few of the many immortal songs enjoyed by the youth of the 1950s.
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sábado, 5 de dezembro de 2009

We shall overcome - MAHALIA JACKSON Live late 1960's


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Ícone de canal

elfeco


We shall overcome--very moving she gets totally saturated with the song, even at the end as she walks from the mic the power of her voice is still overwhelming. This song was a staple of the  civil rights movement, Mahalia worked closely with Dr. Martin Luther King. She also sang Precious Lord at his funeral in 1968 
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We Shall Overcome
 
Lyrics derived from Charles Tindley's gospel song "I'll Overcome Some Day" (1900), and opening and closing melody from the 19th-century spiritual "No More Auction Block for Me" (a song that dates to before the Civil War). According to Professor Donnell King of Pellissippi State Technical Community College (in Knoxville, Tenn.), "We Shall Overcome" was adapted from these gospel songs by "Guy Carawan, Candy Carawan, and a couple of other people associated with the Highlander Research and Education Center, currently located near Knoxville, Tennessee. I have in my possession copies of the lyrics that include a brief history of the song, and a notation that royalties from the song go to support the Highlander Center."
 
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We shall overcome
We shall overcome
We shall overcome some day
CHORUS:

Oh, deep in my heart
I do believe
We shall overcome some day
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We'll walk hand in hand
We'll walk hand in hand
We'll walk hand in hand some day
CHORUS
 
3.

We shall all be free
We shall all be free
We shall all be free some day
CHORUS
 
4.

We are not afraid
We are not afraid
We are not afraid some day
CHORUS
 
5.

We are not alone
We are not alone
We are not alone some day
CHORUS
 
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The whole wide world around
The whole wide world around
The whole wide world around some day
CHORUS
 
7.

We shall overcome
We shall overcome
We shall overcome some day
CHORUS
SOURCES:

Eileen Southern, The Music of Black Americans: A History, Second Edition (Norton, 1971): 546-47, 159-60.
The International Lyrics Server. <http://www.lyrics.ch/query/normal?artist=&album=&song=We+Shall+Overcome>. March 1998.
Donnell King, email message, 29 Nov. 1999.

Return to "A Brief History of Music and Race in Twentieth-Century America". 
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WE SHALL OVERCOME Words and Music by Zilphia Hart., Frank Hamilton, Guy Carawan
and Pete Seeger

(La melodia sembra sia stata tratta da un canto di pescatori siciliani del 17'
secolo, trasportata in Germania dove a diventata un inno protestante, e da qui
alle congregazioni “bianche” protestanti degli Stati Uniti del sud. E' stata
pubblicata per la prima volta come Inno negro in una versione modificata, nei
primi anni dello scorso secolo. Usata, nella forma attuale, negli anni ‘40 come
inno “sindacale” dai lavoratori degli Alimentari e del Tabacco del
 Sud-Carolina, e successivamente dai lavoratori delle scuole popolari del
Tennessee. E' usata tradizionalmente per chiudere tutti i congressi
i.ntegrazionisti).
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We shall overcome,
We shall overcome,
  We shall overcome, some day.
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Oh, deep in my heart,
I do believe
We shall overcome, some day.
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We'll walk hand in hand,
We'll walk hand in hand,
We'll walk hand in hand, some day.

Oh, deep in my heart,
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We shall live in peace,
We shall live in peace,
We shall live in peace, some day.
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Oh, deep in my heart,
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We shall all be free,
We shall all be free,
We shall all be free, some day.

Oh, deep in my heart,
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We are not afraid,
We are not afraid,
We are not afraid, TODAY

Oh, deep in my heart,
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We shall overcome,
We shall overcome,
We shall overcome, some day.
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Oh, deep in my heart,
I do believe
We shall overcome, some day.
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http://www.lyricsdownload.com/joan-baez-we-shall-overcome-lyrics.html
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